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| Trompeta | Mm mm | Llorar en |
| 1 gw | 17.29 | 0.681 |
| David Hickman | 17.25 | 0.68 |
| 1.25 GW | 17.09 | 0.673 |
| 1.5 gw | 16.89 | 0.665 |
| 3 gw | 16.58 | 0.653 |
| 5 gw | 16.4 | 0.646 |
| 7 gw | 16.35 | 0.64 |
| Gill kaupp | 16.00 | 0.63 |
| 10 gw | 16 | 0.63 |
| Plomo j, s, z | 16 | 0.63 |
| Cuerno francés | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| FH-5 | 0.668 | 0.228 | 1.155 | 0.135 |
| FH-1 | 0.678 | 0.165 | 0.787 | 0.152 |
| FH-1.5 | 0.678 | 0.185 | 0.787 | 0.152 |
| FH-2.5 | 0.679 | 0.175 | 0.995 | 0.152 |
| FH-2.75 | 0.679 | 0.185 | 0.995 | 0.152 |
| FH-200 | 0.685 | 0.18 | 0.985 | 0.15 |
| Fh-2 | 0.685 | 0.183 | 1.025 | 0.151 |
| FH-3 | 0.7 | 0.173 | 1.05 | 0.142 |
| FH-3.25 | 0.7 | 0.185 | 1.05 | 0.142 |
| FH 3.5 | 0.7 | 0.173 | 1.01 | 0.14 |
| FH-3.75 | 0.7 | 0.185 | 1.01 | 0.14 |
| FH-4.25 | 0.705 | 0.173 | 1.045 | 0.138 |
| FH-4.5 | 0.705 | 0.185 | 1.045 | 0.138 |
| FH-310 | 0.705 | 0.182 | 1.2 | 0.156 |
| Pequeño trombón ore | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| Reggie joven | 0.954 | 0.236 | 1.035 | 0.275 |
| GWC-958 | 0.958 | 0.232 | .884 | 0.272 |
| Baco | 0.992 | 0.231 | 0.83 | 0.255 |
| Chocolatero | 0.96 | 0.231 | 0.895 | 0.275 |
| Barbero | 0.975 | 0.231 | 0.935 | 0.268 |
| Chubasco | 0.985 | 0.231 | 0.965 | 0.257 |
| Ron Wilkins | 0.997 | 0.232 | 0.945 | 0.262 |
| GWC-100 | 1 | 0.23 | 0.945 | 0.265 |
| Harry Watters | 1 | 0.259 | 0.975 | 0.277 |
| GWC-101 | 1.01 | 0.232 | 0.925 | 0.275 |
| Joseph Jefferson | 1.012 | 0.263 | 1.15 | 0.261 |
| Trombón tenor | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| NB-100 | 1 | 0.278 | 1.005 | 0.25 |
| GW-100 | 1 | 0.282 | 1.175 | 0.25 |
| Sonny Ausman | 1.008 | 0.264 | 1.15 | 0.285 |
| Euros | 1.008 | 0.282 | 1.09 | 0.242 |
| Bóreas | 1.008 | 0.283 | 1.115 | 0.242 |
| NB-101 | 1.01 | 0.276 | 1.005 | 0.25 |
| GW-101 | 1.01 | 0.276 | 1.18 | 0.25 |
| Seiji nakazawa | 1.015 | 0.234 | 1.005 | 0.25 |
| Kadja | 1.012 | 0.285 | 1.245 | 0.245 |
| Sa-100 | 1.02 | 0.26 | 1.14 | 0.235 |
| NB-102 | 1.02 | 0.276 | 1.005 | 0.25 |
| GW-102 | 1.02 | 0.281 | 1.185 | 0.25 |
| Djnv | 1.02 | 0.272 | 1.029 | 0.265 |
| Carbonaria | 1.021 | 0.3 | 1.275 | 0.265 |
| Joe Jefferson | 1.022 | 0.263 | 1.24 | 0.263 |
| E-1 | 1.027 | 0.281 | 1.004 | 0.27 |
| Exl | 1.027 | 0.290 | 1.004 | 0.27 |
| GW-103 | 1.03 | 0.284 | 1.185 | 0.25 |
| Dhwa-e | 1.032 | 0.288 | 1.255 | 0.272 |
| Dhwa-s | 1.032 | 0.288 | 1.195 | 0.272 |
| TZ-103 | 1.035 | 0.279 | 1.025 | 0.235 |
| E-2 | 1.045 | 0.28 | 1.035 | 0.255 |
| Ron Wilkins | 1.063 | 0.282 | 1.002 | 0.255 |
| Trombón bajo | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| Adriano | 1.0958 | 0.302 | 1.445 | 0.269 |
| Mark-1 | 1.0958 | 0.295 | 1.268 | 0.270 |
| Karif | 1.135 | 0.302 | 1.275 | 0.25 |
| V-max | 1.12 | 0.321 | 1.20 | 0.25 |
| Chinook | 1.14 | 0.304 | 1.295 | 0.25 |
| Don Harwood | 1.14 | 0.312 | 1.325 | 0.237 |
| Bob Sanders | 1.14 | 0.319 | 1.295 | 0.25 |
| Ny-s | 1.141 | 0.303 | 1.09 | 0.235 |
| NY-O | 1.141 | 0.312 | 1.155 | 0.235 |
| DH-100 | 1.15 | 0.31 | 1.35 | 0.245 |
| D.mirvil 5 | 1.143 | 0.312 | 1.35 | 0.210 |
| Nor'Easter | 1.144 | 0.319 | 1.345 | 0.235 |
|
Tuba |
Diámetro interior de la llanta |
Garganta |
Profundidad de la taza |
Usar |
|
1.320 |
.332 |
Embudo profundo |
Ensemble grande, tono oscuro rico. |
|
|
1.320 |
.318 |
Copa media profunda |
Ensemble grande, connotones superiores más claros. |
|
|
1.295 |
.325 |
Embudo profundo |
Ensemble grande, tono oscuro rico. |
|
|
1.280 |
.325 |
Funnel Funnel Transport Back Bore que Taku |
Ensemble grande Portero superior sobre tonos |
|
|
1.295 |
.318 |
Embudo de profundidad media |
Un caballo de trabajo que puede hacerlo todo igualmente similar a Helleberg 7 Llanta interna ligeramente más grande |
|
|
1.260 |
.318 |
Embudo profundo |
Boquilla bien redondeada Simmilar a Helleberg 7b Límite ligeramente más grande grande para solos, y conjunto de cámara |
|
|
1.255 |
.318 |
Taza poco profunda |
Ideal para solos y quinteto |
|
|
1.255 |
.318 |
Taza muy poco profunda |
Ideal para un alto rendimiento jugando a un solos |
|
|
1.268 |
.305 |
Copa media profunda |
Ideal para orquestal solo f Tuba |
|
|
1.290 |
.335 |
Copa de embudo de profundidad media |
Impresionante para partes orquestales CC TUBA |
|
|
1.295 |
.321 |
Embudo |
Ideal para jugando orquestal y conjuntos grandes. |
|
|
1.295 |
.295 |
Taza poco profunda |
Ideal para el juego orquestal y solitario. |
|
|
1.295 |
.295 |
Boca superficial de la garganta ancha de la garganta. |
Ideal para grupos de quinteto y cámara. |
|
|
1.295 |
.295 |
Profundidad de taza media |
Mejor para grupo de cámara y toda una pieza muy versátil. |
|
|
1.295 |
.295 |
Copa F Muy superficial |
Ideal para jugar en solitario |
|
|
1.310 |
.321 |
Copa de embudo profundo |
Ideal para el trabajo orquestal |
|
|
1.320 |
.332 |
Copa de embudo muy profundo |
Ideal para proyección y claridad. |
|
|
1.320 |
.332 |
Copa de embudo muy profundo |
Mejor en un gran conjunto en extractos bajos bombartices. |
|
|
1.295 |
.295 |
Copa media profunda |
Mejor en un gran conjunto tocando partes orquestales burbásticas F TUBA |
|
|
1.265 |
.316 |
Copa media profunda |
Boquilla muy versátil basada en Helleberg 7b |
|
|
1.295 |
.318 |
Copa media profunda |
Boquilla muy versátil ideal para todas las necesidades de juego |
|
|
1.295 |
.321 |
Copa media profunda |
Ideal para quinteto, solos y pequeños conjuntos. |
Una boquilla muy grande diseñada para jugar conjuntos. Similar a la boquilla del arte original de la taza de embudo de Arte Lehman. Diseñado exclusivamente para los jugadores de eufonio que desean un sonido más grande y más núcleo sin perder flexibilidad y articulación.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
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