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| Trompette | Jante mm | Jante dans |
| 1 gw | 17.29 | 0.681 |
| David Hickman | 17.25 | 0.68 |
| 1.25 GW | 17.09 | 0.673 |
| 1,5 gw | 16.89 | 0.665 |
| 3 gw | 16.58 | 0.653 |
| 5 gw | 16.4 | 0.646 |
| 7 gw | 16.35 | 0.64 |
| Gill Kaupp | 16.00 | 0.63 |
| 10 gw | 16 | 0.63 |
| Lead j, s, z | 16 | 0.63 |
| Cor français | Diamètre de rebord | Gorge | Profondeur de la tasse | Largeur de jante |
| FH-5 | 0.668 | 0.228 | 1.155 | 0.135 |
| Fh-1 | 0.678 | 0.165 | 0.787 | 0.152 |
| FH-1.5 | 0.678 | 0.185 | 0.787 | 0.152 |
| FH-2.5 | 0.679 | 0.175 | 0.995 | 0.152 |
| FH-2.75 | 0.679 | 0.185 | 0.995 | 0.152 |
| FH-200 | 0.685 | 0.18 | 0.985 | 0.15 |
| Fh-2 | 0.685 | 0.183 | 1.025 | 0.151 |
| FH-3 | 0.7 | 0.173 | 1.05 | 0.142 |
| FH-3.25 | 0.7 | 0.185 | 1.05 | 0.142 |
| FH 3.5 | 0.7 | 0.173 | 1.01 | 0.14 |
| FH-3.75 | 0.7 | 0.185 | 1.01 | 0.14 |
| FH-4.25 | 0.705 | 0.173 | 1.045 | 0.138 |
| FH-4.5 | 0.705 | 0.185 | 1.045 | 0.138 |
| FH-310 | 0.705 | 0.182 | 1.2 | 0.156 |
| Petit trombone | Diamètre de rebord | Gorge | Profondeur de la tasse | Largeur de jante |
| Reggie jeune | 0.954 | 0.236 | 1.035 | 0.275 |
| GWC-958 | 0.958 | 0.232 | .884 | 0.272 |
| Bacchus | 0.992 | 0.231 | 0.83 | 0.255 |
| Chocolatero | 0.96 | 0.231 | 0.895 | 0.275 |
| Coiffeur | 0.975 | 0.231 | 0.935 | 0.268 |
| Chubasco | 0.985 | 0.231 | 0.965 | 0.257 |
| Ron Wilkins | 0.997 | 0.232 | 0.945 | 0.262 |
| GWC-100 | 1 | 0.23 | 0.945 | 0.265 |
| Harry watters | 1 | 0.259 | 0.975 | 0.277 |
| GWC-101 | 1.01 | 0.232 | 0.925 | 0.275 |
| Joseph Jefferson | 1.012 | 0.263 | 1.15 | 0.261 |
| Trombone ténor | Diamètre de rebord | Gorge | Profondeur de la tasse | Largeur de jante |
| NB-100 | 1 | 0.278 | 1.005 | 0.25 |
| Gw-100 | 1 | 0.282 | 1.175 | 0.25 |
| Sonny Ausman | 1.008 | 0.264 | 1.15 | 0.285 |
| Euros | 1.008 | 0.282 | 1.09 | 0.242 |
| Boréas | 1.008 | 0.283 | 1.115 | 0.242 |
| NB-101 | 1.01 | 0.276 | 1.005 | 0.25 |
| GW-101 | 1.01 | 0.276 | 1.18 | 0.25 |
| Seiji Nakazawa | 1.015 | 0.234 | 1.005 | 0.25 |
| Kadja | 1.012 | 0.285 | 1.245 | 0.245 |
| SA-100 | 1.02 | 0.26 | 1.14 | 0.235 |
| NB-102 | 1.02 | 0.276 | 1.005 | 0.25 |
| Gw-102 | 1.02 | 0.281 | 1.185 | 0.25 |
| Djnv | 1.02 | 0.272 | 1.029 | 0.265 |
| Carbonaria | 1.021 | 0.3 | 1.275 | 0.265 |
| Joe Jefferson | 1.022 | 0.263 | 1.24 | 0.263 |
| E-1 | 1.027 | 0.281 | 1.004 | 0.27 |
| Exl | 1.027 | 0.290 | 1.004 | 0.27 |
| Gw-103 | 1.03 | 0.284 | 1.185 | 0.25 |
| Dhwa-e | 1.032 | 0.288 | 1.255 | 0.272 |
| DHWA-S | 1.032 | 0.288 | 1.195 | 0.272 |
| TZ-103 | 1.035 | 0.279 | 1.025 | 0.235 |
| E-2 | 1.045 | 0.28 | 1.035 | 0.255 |
| Ron Wilkins | 1.063 | 0.282 | 1.002 | 0.255 |
| Trombone de basse | Diamètre de rebord | Gorge | Profondeur de la tasse | Largeur de jante |
| Adriano | 1.0958 | 0.302 | 1.445 | 0.269 |
| Mark-1 | 1.0958 | 0.295 | 1.268 | 0.270 |
| Karif | 1.135 | 0.302 | 1.275 | 0.25 |
| V-max | 1.12 | 0.321 | 1.20 | 0.25 |
| Chinook | 1.14 | 0.304 | 1.295 | 0.25 |
| Don Harwood | 1.14 | 0.312 | 1.325 | 0.237 |
| Bob Sanders | 1.14 | 0.319 | 1.295 | 0.25 |
| NY-S | 1.141 | 0.303 | 1.09 | 0.235 |
| NY-O | 1.141 | 0.312 | 1.155 | 0.235 |
| DH-100 | 1.15 | 0.31 | 1.35 | 0.245 |
| D.mirvil 5 | 1.143 | 0.312 | 1.35 | 0.210 |
| Nor'easter | 1.144 | 0.319 | 1.345 | 0.235 |
|
Tuba |
Diamètre intérieur intérieur |
Gorge |
Profondeur de la tasse |
Utiliser |
|
1.320 |
.332 |
Entonnoir profond |
Grand ensemble, ton sombre riche |
|
|
1.320 |
.318 |
Coupe moyenne |
Grand ensemble, nuages supérieurs plus clairs |
|
|
1.295 |
.325 |
Entonnoir profond |
Grand ensemble, ton sombre riche |
|
|
1.280 |
.325 |
Entonnoir profondeur de dos alésable que Taku |
Grand Teneur supérieure de plus en plus longue d'ensemble |
|
|
1.295 |
.318 |
Entonnoir de profondeur moyenne |
Un cheval de travail qui peut tout faire tout aussi bien similaire à Helleberg 7 légèrement plus grand bord intérieur |
|
|
1.260 |
.318 |
Entonnoir profond |
Bouteille bien arrondie Simmilar à Helleberg 7B Légèrement plus grande jante intérieure idéale pour les solos et l'ensemble de la chambre |
|
|
1.255 |
.318 |
Tasse peu profonde |
Idéal pour les solos et le quintet |
|
|
1.255 |
.318 |
Tasse très peu profonde |
Idéal pour prolongé en jouant à un solos |
|
|
1.268 |
.305 |
Coupe moyenne peu profonde |
Idéal pour ORCHESTRAL SOLO FUBA |
|
|
1.290 |
.335 |
Coupe moyenne de l'entonnoir profond |
Impressionnant pour les pièces d'orchestre CC Tuba |
|
|
1.295 |
.321 |
Entonnoir moyen |
Idéal pour le jeu orchestral et les grands ensembles |
|
|
1.295 |
.295 |
Tasse peu profonde |
Idéal pour les joueurs orchestraux et solo |
|
|
1.295 |
.295 |
Tasse peu profonde embouchure de gorge |
Idéal pour les groupes de quintet et de chambre |
|
|
1.295 |
.295 |
Profondeur de la coupe moyenne |
Meilleur pour le groupe de chambre et tout une pièce très polyvalente |
|
|
1.295 |
.295 |
Coupe F TRÈS SUPPLÉMENTAIRE |
Idéal pour jouer en solo |
|
|
1.310 |
.321 |
Coupe d'entonnoir profonde |
Idéal pour le travail d'orchestre |
|
|
1.320 |
.332 |
Coupe d'entonnoir très profonde |
Idéal pour la projection et la clarté |
|
|
1.320 |
.332 |
Coupe d'entonnoir très profonde |
Meilleur dans un grand ensemble sur des extraits bombastiques bas |
|
|
1.295 |
.295 |
Coupe moyenne peu profonde |
Meilleur dans un grand ensemble jouant des pièces orchestrales bombastiques F tuba |
|
|
1.265 |
.316 |
Coupe moyenne |
Bouton très polyvalent basé sur Helleberg 7b |
|
|
1.295 |
.318 |
Coupe moyenne |
Bouton très polyvalent idéal pour tous les besoins de jeu |
|
|
1.295 |
.321 |
Coupe moyenne |
Idéal pour quintet, solos et petits ensembles |
Conçu exclusivement pour la section en laiton basse Bande Talladega. Cet embout buccal produit un son massif avec puissance et finesse.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
are made from the finest surgical Stainless Steel and Titanium available
We ordered dragons breath and what is shown in the photo is not how it comes. If you are expecting it to be different colors it does not come that way. Only reason we got the dragons breath is because my son liked the different colors we were disappointed how it came out.
On Sep 29, 2026, at 12:53 PM, Ivan Giddings <gwmouthpieces@gmail.com> wrote:
Hi Jaime,
Thank you for your feedback. I believe there may have been some confusion.
The image shows a Dragon's Breath finish applied to a frosted surface. While the Dragon's Breath process was successfully completed, frosted finishes tend to reflect predominantly gold and bronze tones. The more vibrant blue, purple, and rainbow colors associated with Dragon's Breath are generally achieved on a satin finish rather than a frosted finish.
I certainly understand your disappointment if the result was not what you were expecting. My goal is always to provide the best possible finish and ensure you are happy with the final product.
If you would like, I can try the process again on this mouthpiece with a satin-finish, which should produce much stronger blue and purple coloration..
Please let me know how you would like to proceed. I appreciate the opportunity to make this right and thank you for your patience and understanding.
All the best,
Ivan
Giddings Mouthpieces
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