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| Trompeta | Mm mm | Llorar en |
| 1 gw | 17.29 | 0.681 |
| David Hickman | 17.25 | 0.68 |
| 1.25 GW | 17.09 | 0.673 |
| 1.5 gw | 16.89 | 0.665 |
| 3 gw | 16.58 | 0.653 |
| 5 gw | 16.4 | 0.646 |
| 7 gw | 16.35 | 0.64 |
| Gill kaupp | 16.00 | 0.63 |
| 10 gw | 16 | 0.63 |
| Plomo j, s, z | 16 | 0.63 |
| Cuerno francés | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| FH-5 | 0.668 | 0.228 | 1.155 | 0.135 |
| FH-1 | 0.678 | 0.165 | 0.787 | 0.152 |
| FH-1.5 | 0.678 | 0.185 | 0.787 | 0.152 |
| FH-2.5 | 0.679 | 0.175 | 0.995 | 0.152 |
| FH-2.75 | 0.679 | 0.185 | 0.995 | 0.152 |
| FH-200 | 0.685 | 0.18 | 0.985 | 0.15 |
| Fh-2 | 0.685 | 0.183 | 1.025 | 0.151 |
| FH-3 | 0.7 | 0.173 | 1.05 | 0.142 |
| FH-3.25 | 0.7 | 0.185 | 1.05 | 0.142 |
| FH 3.5 | 0.7 | 0.173 | 1.01 | 0.14 |
| FH-3.75 | 0.7 | 0.185 | 1.01 | 0.14 |
| FH-4.25 | 0.705 | 0.173 | 1.045 | 0.138 |
| FH-4.5 | 0.705 | 0.185 | 1.045 | 0.138 |
| FH-310 | 0.705 | 0.182 | 1.2 | 0.156 |
| Pequeño trombón ore | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| Reggie joven | 0.954 | 0.236 | 1.035 | 0.275 |
| GWC-958 | 0.958 | 0.232 | .884 | 0.272 |
| Baco | 0.992 | 0.231 | 0.83 | 0.255 |
| Chocolatero | 0.96 | 0.231 | 0.895 | 0.275 |
| Barbero | 0.975 | 0.231 | 0.935 | 0.268 |
| Chubasco | 0.985 | 0.231 | 0.965 | 0.257 |
| Ron Wilkins | 0.997 | 0.232 | 0.945 | 0.262 |
| GWC-100 | 1 | 0.23 | 0.945 | 0.265 |
| Harry Watters | 1 | 0.259 | 0.975 | 0.277 |
| GWC-101 | 1.01 | 0.232 | 0.925 | 0.275 |
| Joseph Jefferson | 1.012 | 0.263 | 1.15 | 0.261 |
| Trombón tenor | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| NB-100 | 1 | 0.278 | 1.005 | 0.25 |
| GW-100 | 1 | 0.282 | 1.175 | 0.25 |
| Sonny Ausman | 1.008 | 0.264 | 1.15 | 0.285 |
| Euros | 1.008 | 0.282 | 1.09 | 0.242 |
| Bóreas | 1.008 | 0.283 | 1.115 | 0.242 |
| NB-101 | 1.01 | 0.276 | 1.005 | 0.25 |
| GW-101 | 1.01 | 0.276 | 1.18 | 0.25 |
| Seiji nakazawa | 1.015 | 0.234 | 1.005 | 0.25 |
| Kadja | 1.012 | 0.285 | 1.245 | 0.245 |
| Sa-100 | 1.02 | 0.26 | 1.14 | 0.235 |
| NB-102 | 1.02 | 0.276 | 1.005 | 0.25 |
| GW-102 | 1.02 | 0.281 | 1.185 | 0.25 |
| Djnv | 1.02 | 0.272 | 1.029 | 0.265 |
| Carbonaria | 1.021 | 0.3 | 1.275 | 0.265 |
| Joe Jefferson | 1.022 | 0.263 | 1.24 | 0.263 |
| E-1 | 1.027 | 0.281 | 1.004 | 0.27 |
| Exl | 1.027 | 0.290 | 1.004 | 0.27 |
| GW-103 | 1.03 | 0.284 | 1.185 | 0.25 |
| Dhwa-e | 1.032 | 0.288 | 1.255 | 0.272 |
| Dhwa-s | 1.032 | 0.288 | 1.195 | 0.272 |
| TZ-103 | 1.035 | 0.279 | 1.025 | 0.235 |
| E-2 | 1.045 | 0.28 | 1.035 | 0.255 |
| Ron Wilkins | 1.063 | 0.282 | 1.002 | 0.255 |
| Trombón bajo | Diámetro de la llanta | Garganta | Profundidad de la taza | Anchura de la llanta |
| Adriano | 1.0958 | 0.302 | 1.445 | 0.269 |
| Mark-1 | 1.0958 | 0.295 | 1.268 | 0.270 |
| Karif | 1.135 | 0.302 | 1.275 | 0.25 |
| V-max | 1.12 | 0.321 | 1.20 | 0.25 |
| Chinook | 1.14 | 0.304 | 1.295 | 0.25 |
| Don Harwood | 1.14 | 0.312 | 1.325 | 0.237 |
| Bob Sanders | 1.14 | 0.319 | 1.295 | 0.25 |
| Ny-s | 1.141 | 0.303 | 1.09 | 0.235 |
| NY-O | 1.141 | 0.312 | 1.155 | 0.235 |
| DH-100 | 1.15 | 0.31 | 1.35 | 0.245 |
| D.mirvil 5 | 1.143 | 0.312 | 1.35 | 0.210 |
| Nor'Easter | 1.144 | 0.319 | 1.345 | 0.235 |
|
Tuba |
Diámetro interior de la llanta |
Garganta |
Profundidad de la taza |
Usar |
|
1.320 |
.332 |
Embudo profundo |
Ensemble grande, tono oscuro rico. |
|
|
1.320 |
.318 |
Copa media profunda |
Ensemble grande, connotones superiores más claros. |
|
|
1.295 |
.325 |
Embudo profundo |
Ensemble grande, tono oscuro rico. |
|
|
1.280 |
.325 |
Funnel Funnel Transport Back Bore que Taku |
Ensemble grande Portero superior sobre tonos |
|
|
1.295 |
.318 |
Embudo de profundidad media |
Un caballo de trabajo que puede hacerlo todo igualmente similar a Helleberg 7 Llanta interna ligeramente más grande |
|
|
1.260 |
.318 |
Embudo profundo |
Boquilla bien redondeada Simmilar a Helleberg 7b Límite ligeramente más grande grande para solos, y conjunto de cámara |
|
|
1.255 |
.318 |
Taza poco profunda |
Ideal para solos y quinteto |
|
|
1.255 |
.318 |
Taza muy poco profunda |
Ideal para un alto rendimiento jugando a un solos |
|
|
1.268 |
.305 |
Copa media profunda |
Ideal para orquestal solo f Tuba |
|
|
1.290 |
.335 |
Copa de embudo de profundidad media |
Impresionante para partes orquestales CC TUBA |
|
|
1.295 |
.321 |
Embudo |
Ideal para jugando orquestal y conjuntos grandes. |
|
|
1.295 |
.295 |
Taza poco profunda |
Ideal para el juego orquestal y solitario. |
|
|
1.295 |
.295 |
Boca superficial de la garganta ancha de la garganta. |
Ideal para grupos de quinteto y cámara. |
|
|
1.295 |
.295 |
Profundidad de taza media |
Mejor para grupo de cámara y toda una pieza muy versátil. |
|
|
1.295 |
.295 |
Copa F Muy superficial |
Ideal para jugar en solitario |
|
|
1.310 |
.321 |
Copa de embudo profundo |
Ideal para el trabajo orquestal |
|
|
1.320 |
.332 |
Copa de embudo muy profundo |
Ideal para proyección y claridad. |
|
|
1.320 |
.332 |
Copa de embudo muy profundo |
Mejor en un gran conjunto en extractos bajos bombartices. |
|
|
1.295 |
.295 |
Copa media profunda |
Mejor en un gran conjunto tocando partes orquestales burbásticas F TUBA |
|
|
1.265 |
.316 |
Copa media profunda |
Boquilla muy versátil basada en Helleberg 7b |
|
|
1.295 |
.318 |
Copa media profunda |
Boquilla muy versátil ideal para todas las necesidades de juego |
|
|
1.295 |
.321 |
Copa media profunda |
Ideal para quinteto, solos y pequeños conjuntos. |
Diseñado exclusivamente para la sección de latón baja de Talladega. Esta boquilla produce un sonido masivo con poder y delicadeza.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
are made from the finest surgical Stainless Steel and Titanium available
We ordered dragons breath and what is shown in the photo is not how it comes. If you are expecting it to be different colors it does not come that way. Only reason we got the dragons breath is because my son liked the different colors we were disappointed how it came out.
On Sep 29, 2026, at 12:53 PM, Ivan Giddings <gwmouthpieces@gmail.com> wrote:
Hi Jaime,
Thank you for your feedback. I believe there may have been some confusion.
The image shows a Dragon's Breath finish applied to a frosted surface. While the Dragon's Breath process was successfully completed, frosted finishes tend to reflect predominantly gold and bronze tones. The more vibrant blue, purple, and rainbow colors associated with Dragon's Breath are generally achieved on a satin finish rather than a frosted finish.
I certainly understand your disappointment if the result was not what you were expecting. My goal is always to provide the best possible finish and ensure you are happy with the final product.
If you would like, I can try the process again on this mouthpiece with a satin-finish, which should produce much stronger blue and purple coloration..
Please let me know how you would like to proceed. I appreciate the opportunity to make this right and thank you for your patience and understanding.
All the best,
Ivan
Giddings Mouthpieces
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