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tuba. |
内缘直径 |
喉 |
杯深 |
利用 |
|
1.320 |
.332 |
深漏斗 |
大型合奏,黑暗的色调 |
|
|
1.320 |
.318 |
中等深杯 |
大型合奏,更清晰的upptones |
|
|
1.295 |
.325 |
深漏斗 |
大型合奏,黑暗的色调 |
|
|
1.280 |
.325 |
深漏斗比taku更紧张 |
大型集合纯净鞋面音调 |
|
|
1.295 |
.318 |
中深漏斗 |
一匹马,可以做到这一点同样与嚏尔伯格7略大的内边缘相似 |
|
|
1.260 |
.318 |
深漏斗 |
圆形的喉舌辛米尔到Helleberg 7B略大于内圈伟大的独奏,和室集合 |
|
|
1.255 |
.318 |
浅杯 |
伟大的独奏和五章 |
|
|
1.255 |
.318 |
非常浅的杯子 |
很高兴延长播放独奏 |
|
|
1.268 |
.305 |
中浅杯 |
非常适合管弦乐独奏 |
|
|
1.290 |
.335 |
中等漏斗杯 |
令人敬畏的管弦乐CC TUBA零件 |
|
|
1.295 |
.321 |
中漏斗 |
非常适合管弦乐和大型合奏 |
|
|
1.295 |
.295 |
浅杯 |
伟大的管弦乐和独奏玩 |
|
|
1.295 |
.295 |
浅杯宽口喉咙 |
非常适合五餐和室内团体 |
|
|
1.295 |
.295 |
中杯深 |
最适合室内组和所有非常通用的作品 |
|
|
1.295 |
.295 |
非常浅的f杯 |
伟大的独奏玩 |
|
|
1.310 |
.321 |
深漏斗杯 |
伟大的管弦乐工作 |
|
|
1.320 |
.332 |
非常深的漏斗杯 |
非常适合投影和清晰度 |
|
|
1.320 |
.332 |
非常深的漏斗杯 |
最好的在一个夸次的低摘录中的一个大集合 |
|
|
1.295 |
.295 |
中浅杯 |
最好的在一个大型合奏中,演奏夸臼f大块管弦乐部件 |
|
|
1.265 |
.316 |
中等深杯 |
基于Helleberg 7B的非常多功能的吹嘴 |
|
|
1.295 |
.318 |
中等深杯 |
非常多功能的喉舌,非常适合所有的玩耍需求 |
|
|
1.295 |
.321 |
中等深杯 |
非常适合五餐,独奏和小型集合 |
Jon Gross Signature Tuba Mouthpiece – New Orleans Powerhouse
Inner Rim: 33.2mm / 1.308" | Cup: Shallow | Throat: .295" | Premium Stainless Steel Construction. This signature mouthpiece is the result of a collaboration with Jon Gross — the unstoppable New Orleans tubist who's been anchoring the scene for over 20+ years. From powering the legendary Treme Brass Band through second lines and street parades, to recording on movie scores, TV spots, albums, and commercials, Jon does it all with that signature Crescent City energy and passion. When the room is loud, the band is roaring, and the bass line needs to cut through like thunder — this is the mouthpiece built to deliver. It started life as the iconic LM-12 (the legendary "loud" shallow-cup design), which Jon played as his main piece for nearly a decade. But we didn't stop there. Jon worked directly with us to refine it: a modified rim for superior comfort (less undercut for a smoother, more supportive feel), reduced overall weight to fight fatigue during marathon gigs, and subtle tweaks to the cup and throat for added mid-range depth, richer tone, and incredible dynamic range — from bone-rattling fortissimos to whisper-quiet pianissimos in intimate trad-jazz trios. Why tubists (and sousaphonists) love it:
Whether you're laying down the groove in a second line, anchoring a brass band, or recording in the studio, this mouthpiece gives you the tools to own the low end with power, comfort, and confidence. Jon Gross doesn't just play tuba — he commands it. Now you can too. Jon Gross on his signature piece: "I tried a bunch of other mouthpieces for several weeks, and I kept coming back to this one. It's honestly just fun to play on. It projects way more than the LM-12, with better tone depth — and it's super comfortable for the long haul”. Grab the Jon Gross Signature and feel the New Orleans magic in every note. Built for the streets, the stages, and the players who make the city pulse.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
are made from the finest surgical Stainless Steel and Titanium available
This mouthpiece is great. Its balanced in the high and low range. It has a similar feel to the original LM-12 but with more control over the sound. You can still get the petal out loud.
love the mouthpiece it it’s pretty shallow and has an extremely comfortable rim also it doesn’t have a after smell or taste after playing it for a while it’s also a crank machine it makes playing hbcu style pretty easy.
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