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Tuba |
Diamètre intérieur intérieur |
Gorge |
Profondeur de la tasse |
Utiliser |
|
1.320 |
.332 |
Entonnoir profond |
Grand ensemble, ton sombre riche |
|
|
1.320 |
.318 |
Coupe moyenne |
Grand ensemble, nuages supérieurs plus clairs |
|
|
1.295 |
.325 |
Entonnoir profond |
Grand ensemble, ton sombre riche |
|
|
1.280 |
.325 |
Entonnoir profondeur de dos alésable que Taku |
Grand Teneur supérieure de plus en plus longue d'ensemble |
|
|
1.295 |
.318 |
Entonnoir de profondeur moyenne |
Un cheval de travail qui peut tout faire tout aussi bien similaire à Helleberg 7 légèrement plus grand bord intérieur |
|
|
1.260 |
.318 |
Entonnoir profond |
Bouteille bien arrondie Simmilar à Helleberg 7B Légèrement plus grande jante intérieure idéale pour les solos et l'ensemble de la chambre |
|
|
1.255 |
.318 |
Tasse peu profonde |
Idéal pour les solos et le quintet |
|
|
1.255 |
.318 |
Tasse très peu profonde |
Idéal pour prolongé en jouant à un solos |
|
|
1.268 |
.305 |
Coupe moyenne peu profonde |
Idéal pour ORCHESTRAL SOLO FUBA |
|
|
1.290 |
.335 |
Coupe moyenne de l'entonnoir profond |
Impressionnant pour les pièces d'orchestre CC Tuba |
|
|
1.295 |
.321 |
Entonnoir moyen |
Idéal pour le jeu orchestral et les grands ensembles |
|
|
1.295 |
.295 |
Tasse peu profonde |
Idéal pour les joueurs orchestraux et solo |
|
|
1.295 |
.295 |
Tasse peu profonde embouchure de gorge |
Idéal pour les groupes de quintet et de chambre |
|
|
1.295 |
.295 |
Profondeur de la coupe moyenne |
Meilleur pour le groupe de chambre et tout une pièce très polyvalente |
|
|
1.295 |
.295 |
Coupe F TRÈS SUPPLÉMENTAIRE |
Idéal pour jouer en solo |
|
|
1.310 |
.321 |
Coupe d'entonnoir profonde |
Idéal pour le travail d'orchestre |
|
|
1.320 |
.332 |
Coupe d'entonnoir très profonde |
Idéal pour la projection et la clarté |
|
|
1.320 |
.332 |
Coupe d'entonnoir très profonde |
Meilleur dans un grand ensemble sur des extraits bombastiques bas |
|
|
1.295 |
.295 |
Coupe moyenne peu profonde |
Meilleur dans un grand ensemble jouant des pièces orchestrales bombastiques F tuba |
|
|
1.265 |
.316 |
Coupe moyenne |
Bouton très polyvalent basé sur Helleberg 7b |
|
|
1.295 |
.318 |
Coupe moyenne |
Bouton très polyvalent idéal pour tous les besoins de jeu |
|
|
1.295 |
.321 |
Coupe moyenne |
Idéal pour quintet, solos et petits ensembles |
Jon Gross Signature Tuba Mouthpiece – New Orleans Powerhouse
Inner Rim: 33.2mm / 1.308" | Cup: Shallow | Throat: .295" | Premium Stainless Steel Construction. This signature mouthpiece is the result of a collaboration with Jon Gross — the unstoppable New Orleans tubist who's been anchoring the scene for over 20+ years. From powering the legendary Treme Brass Band through second lines and street parades, to recording on movie scores, TV spots, albums, and commercials, Jon does it all with that signature Crescent City energy and passion. When the room is loud, the band is roaring, and the bass line needs to cut through like thunder — this is the mouthpiece built to deliver. It started life as the iconic LM-12 (the legendary "loud" shallow-cup design), which Jon played as his main piece for nearly a decade. But we didn't stop there. Jon worked directly with us to refine it: a modified rim for superior comfort (less undercut for a smoother, more supportive feel), reduced overall weight to fight fatigue during marathon gigs, and subtle tweaks to the cup and throat for added mid-range depth, richer tone, and incredible dynamic range — from bone-rattling fortissimos to whisper-quiet pianissimos in intimate trad-jazz trios. Why tubists (and sousaphonists) love it:
Whether you're laying down the groove in a second line, anchoring a brass band, or recording in the studio, this mouthpiece gives you the tools to own the low end with power, comfort, and confidence. Jon Gross doesn't just play tuba — he commands it. Now you can too. Jon Gross on his signature piece: "I tried a bunch of other mouthpieces for several weeks, and I kept coming back to this one. It's honestly just fun to play on. It projects way more than the LM-12, with better tone depth — and it's super comfortable for the long haul”. Grab the Jon Gross Signature and feel the New Orleans magic in every note. Built for the streets, the stages, and the players who make the city pulse.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
are made from the finest surgical Stainless Steel and Titanium available
This mouthpiece is great. Its balanced in the high and low range. It has a similar feel to the original LM-12 but with more control over the sound. You can still get the petal out loud.
love the mouthpiece it it’s pretty shallow and has an extremely comfortable rim also it doesn’t have a after smell or taste after playing it for a while it’s also a crank machine it makes playing hbcu style pretty easy.
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