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Tuba |
Borde Interior Diámetro |
Garganta |
profundidad de la copa |
Usar |
|
1.320 |
.332 |
embudo de profundidad |
Gran conjunto, el tono oscuro rico |
|
|
1.320 |
.318 |
Medio copa profunda |
Gran conjunto, armónicos superiores más claras |
|
|
1.295 |
.325 |
embudo de profundidad |
Gran conjunto, el tono oscuro rico |
|
|
1.280 |
.325 |
Funnel profundo agujero más apretado atrás que Taku |
Gran puro conjunto superior sobre tonos |
|
|
1.295 |
.318 |
Embudo Media Profundidad |
Un caballo de trabajo que puede hacerlo todo igualmente bien similar a Helleberg 7 ligeramente más grande borde interior |
|
|
1.260 |
.318 |
embudo de profundidad |
Bien redondeado boquilla del mismo tipo que Helleberg 7b ligeramente más grande gran reborde interior para solos, y conjunto de cámara |
|
|
1.255 |
.318 |
poco profunda de la Copa |
Para solos y quinteto |
|
|
1.255 |
.318 |
Muy superficial Copa |
Gran para alta extendida jugar un solos |
|
|
1.268 |
.305 |
Corta Media Copa |
Grande para solista orquestal F tuba |
|
|
1.290 |
.335 |
Medio Profundo Embudo Copa |
Impresionante para piezas tuba CC orquestal |
|
|
1.295 |
.321 |
embudo medio |
Grande para tocar en una orquesta y grandes conjuntos |
|
|
1.295 |
.295 |
poco profunda de la Copa |
Grande para tocar en una orquesta y solista |
|
|
1.295 |
.295 |
Poco profunda de la Copa de boca ancha de la garganta |
Ideal para grupos quinteto y de cámara |
|
|
1.295 |
.295 |
Media Profundidad Copa |
Lo mejor para grupo de cámara y toda una pieza muy versátil |
|
|
1.295 |
.295 |
Muy poco profunda F Copa |
Ideal para jugar en solitario |
|
|
1.310 |
.321 |
Embudo profunda Copa |
Grande para el trabajo orquestal |
|
|
1.320 |
.332 |
Embudo muy profundo Copa |
Gran para la proyección y claridad |
|
|
1.320 |
.332 |
Embudo muy profundo Copa |
Mejor en un gran conjunto de extractos bajas rimbombantes |
|
|
1.295 |
.295 |
Corta Media Copa |
El mejor en una gran actuación en grupo rimbombantes F tuba orquestales piezas |
|
|
1.265 |
.316 |
Medio copa profunda |
Muy versátil Boquilla basado en Helleberg 7B |
|
|
1.295 |
.318 |
Medio copa profunda |
gran pieza de boca muy versátil para todas las necesidades de juego |
|
|
1.295 |
.321 |
Medio copa profunda |
Grande para el quinteto, solos, y pequeños conjuntos |
Jon Gross Signature Tuba Mouthpiece – New Orleans Powerhouse
Inner Rim: 33.2mm / 1.308" | Cup: Shallow | Throat: .295" | Premium Stainless Steel Construction. This signature mouthpiece is the result of a collaboration with Jon Gross — the unstoppable New Orleans tubist who's been anchoring the scene for over 20+ years. From powering the legendary Treme Brass Band through second lines and street parades, to recording on movie scores, TV spots, albums, and commercials, Jon does it all with that signature Crescent City energy and passion. When the room is loud, the band is roaring, and the bass line needs to cut through like thunder — this is the mouthpiece built to deliver. It started life as the iconic LM-12 (the legendary "loud" shallow-cup design), which Jon played as his main piece for nearly a decade. But we didn't stop there. Jon worked directly with us to refine it: a modified rim for superior comfort (less undercut for a smoother, more supportive feel), reduced overall weight to fight fatigue during marathon gigs, and subtle tweaks to the cup and throat for added mid-range depth, richer tone, and incredible dynamic range — from bone-rattling fortissimos to whisper-quiet pianissimos in intimate trad-jazz trios. Why tubists (and sousaphonists) love it:
Whether you're laying down the groove in a second line, anchoring a brass band, or recording in the studio, this mouthpiece gives you the tools to own the low end with power, comfort, and confidence. Jon Gross doesn't just play tuba — he commands it. Now you can too. Jon Gross on his signature piece: "I tried a bunch of other mouthpieces for several weeks, and I kept coming back to this one. It's honestly just fun to play on. It projects way more than the LM-12, with better tone depth — and it's super comfortable for the long haul”. Grab the Jon Gross Signature and feel the New Orleans magic in every note. Built for the streets, the stages, and the players who make the city pulse.
We carefully pack every mouthpiece to ensure it arrives in perfect condition. Orders are processed within 1–2 business days and shipped with tracking provided once dispatched.
If you're not completely satisfied, returns are accepted within 14 days of delivery. Items must be unused and in original condition.
For any shipping or return inquiries, please contact our support team — we’re happy to help. CONTACT US
Driven by a deep passion to enhance response, articulation, and overall playing ease, Ivan Giddings channeled his extensive understanding of brass performance into innovating mouthpiece design. Starting with just an idea to create better mouthpieces, his relentless drive led to the development of truly unique designs that prioritize superior playability and sound.
are made from the finest surgical Stainless Steel and Titanium available
This mouthpiece is great. Its balanced in the high and low range. It has a similar feel to the original LM-12 but with more control over the sound. You can still get the petal out loud.
love the mouthpiece it it’s pretty shallow and has an extremely comfortable rim also it doesn’t have a after smell or taste after playing it for a while it’s also a crank machine it makes playing hbcu style pretty easy.
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